Section: Project Spotlight

  • “Why so Many Windows?” How the ImageNet Image Database Influences Automated Image Recognition of Historical Images

    Francis Hunger
    To the article
    3.70-3.85

  • The Close-up Cloud Visualizing Details of Image Collections in Dynamic Overviews

    Pauline Junginger Dennis Ostendorf Barbara Avila Vissirini Anastasia Voloshina Timo Hausmann Sarah Kreiseler Marian Dörk
    To the article
    6.2-6.13

  • Coding Dürer International Interdisciplinary Hackathon for Art History and Information Science

    Sonja Gasser
    To the article

  • Computing Art A Summer School for Digital Art History

    Peter Bell
    To the article

  • The Curator’s Machine Clustering of Museum Collection Data through Annotation of Hidden Connection Patterns between Artworks

    Dominik Bönisch
    To the article
    5.20-5.35

  • From Digital Literacy to Data Literacy How Much Digital Literacy Do We Need in the Art History Curriculum?

    Angela Dressen
    To the article
    5.02-5.08

  • Graduate Workshop on Digital Tools for Art Historians The Visualizing Venice Summer Program “The Biennale and the City” (2015)

    Caroline Bruzelius
    To the article

  • IMGS.AI. A Multimodal Search Engine for Digital Art History

    Fabian Offert Peter Bell
    To the article
    5.28-5.39

  • Linking Structure, Texture and Context in a Visualization of Historical Drawings by Frederick William IV (1795-1861)

    Katrin Glinka Christopher Pietsch Carsten Dilba Marian Dörk
    To the article

  • Method in Interdisciplinary Research Data Science for Digital Art History

    Ewa Machotka Panagiotis Papapetrou
    To the article
    5.03-5.11

  • Moldmate Identification in Pre-19th-Century European Paper using Quantitative Analysis of Watermarks, Chain Line Intervals, and Laid Line Density

    Sara F. Gorske C. Richard Johnson, Jr. William A. Sethares Margaret Holben Ellis Paul Messier
    To the article
    6.14-6.35

  • Navigating Context, Pathways and Relationships in Museum Collections using Formal Concept Analysis

    Richard J. Cole Frithjof Dau Jon Ducrou Peter W. Eklund Tim Wray
    To the article
    5.13-5.27

  • Network Analysis + Digital Art History A Roundtable on a Collective Scholarly Experience

    Alison Langmead Anne Helmreich John Ladd Jin Gao Yi-Hsin Lin Richard Palmer Etienne Posthumus Hongxing Zhang Koenraad Brosens Rudy Jos Beerens Inez de Prekel Houda Lamqaddam Nancy Micklewright Sana Mirza Zeynep Simavi Jeffrey Smith
    To the article
    4.02-4.22

  • Summary of the Roundtable “Setting up a DH Curriculum or Certificate” at the Annual Meeting of the Renaissance Society of America (Toronto, March 19, 2019)

    Angela Dressen
    To the article
    6.2-6.5

  • Summer School on Digital Art History (DAHSS) Data-Driven Analysis and Digital Narratives

    Nuria Rodríguez Ortega
    To the article

  • The Problem of Distance in Digital Art History A ResearchSpace Case Study on Sequencing Hokusai Print Impressions to Form a Human Curated Network of Knowledge

    Dominic Oldman Diana Tanase Stephanie Santschi
    To the article
    5.29-5.45

  • Van Gogh TV´s “Piazza Virtuale” Report-In-Progress and Preliminary Case Study

    Tilman Baumgärtel Jens Schröter Christoph Ernst
    To the article
    5.2-5.13

  • Virtual Venice Immersive Media and the Preservation of Historical Experience

    Daniel Savoy
    To the article
    3.16-3.33