List of titles
- A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0-9 All
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“The Digital Image” A Transdisciplinary Research Cluster
6-7 -
“This Prompt Contains Prohibited Words” Language, Ekphrasis, and the Limits of the Generative Imagination
4.02-4.11 -
“Why so Many Windows?” How the ImageNet Image Database Influences Automated Image Recognition of Historical Images
3.70-3.85 -
(En)tangling with Artificial Life
2.02-2.17 -
(Re-)Creating the Past 10 Years of Digital Historical Reconstructions Using BIM
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3D Reconstruction Techniques as a Cultural Shift in Art History?
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A Digital Experiment in Reconstructing Ancient Roman Perspective Spaces First Steps Toward a New Model
1-26 -
A Quantitative Approach to Beauty Perceived Attractiveness of Human Faces in World Painting
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A Role-Based Model for Successful Collaboration in Digital Art History
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A Short History of Self-Representation in Digital Art
3.2-3.17 -
Adaptive Images. Challenges for Visual Studies and Media Theory
140-153 -
Addendum
197 -
Against Digital Art History
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Alternative Narratives and Aesthetics in South African Digital Art Establishing a Digital Art Practice in South Africa Framed Through the Internet
3.78-3.95 -
Architecture Transformed Architectural Processes in the Digital Image Space
66-81 -
Art History and AI Ten Axioms
5.02-5.13 -
Art History Now Technology, Information, and Practice
3.47-3.59 -
Behind the Digital Image Public Photographs on Community Platforms and Twitter As Repositories for Machine Learning and Journalistic Publications
100-115 -
Between Preservation and Repurposing How to Recontextualize and Reorient Twenty-Year-Old Art-Historical Databases
5.40-5.57 -
Beyond Hairstyle Roman Imperial Portraits and Facial Recognition Software
4.12-4.27 -
Big Bang Art History
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Big Data and the End of History
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Big Image Data within the Big Picture of Art History
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Browser Art Navigating With Style
38-55 -
Call for Manuscripts #2
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