Visualizing Big Image Data
19 Items
Big Data and Big Image Data (BID) open up tantalizing new vistas to the art historian. BID as a sub-category or – better yet – an extension of Big Data affords the possibility of processing and analyzing massive amounts of visual material using computational methods. BID will provide art historians with a whole new set of analytic tools, adding new tonal range to our discipline without discarding any of the traditional art historical methods.
All Items
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“Why so Many Windows?” How the ImageNet Image Database Influences Automated Image Recognition of Historical Images
3.70-3.85 -
Big Image Data within the Big Picture of Art History
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Call for Manuscripts #2
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The Close-up Cloud Visualizing Details of Image Collections in Dynamic Overviews
6.2-6.13 -
Computational Imagination and Digital Art History
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Data Science and Digital Art History
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Direct Visualization Techniques for the Analysis of Image Data The Slice Histogram and the Growing Entourage Plot
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Editorial Big Image Data as New Research Opportunity in Art History
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Figuring out Art History
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Graduate Workshop on Digital Tools for Art Historians The Visualizing Venice Summer Program “The Biennale and the City” (2015)
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Gugelmann Galaxy An Unexpected Journey through a collection of Schweizer Kleinmeister
To the article- Screenshot of Gugelmann Galaxy
- Images clustered by composition
- Section of composition cluster
- Image with closest neighbours in terms of color palette
- Image with closest neighbours in terms of descriptive text
- Image with closest neighbours in terms of composition
- Image with closest neighbours in terms of technique
- Still from YouTube video
- Still from YouTube video
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Images as Data Cultural Analytics and Aby Warburg’s Mnemosyne
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In Conversation with CyArk Digital Heritage in the 21st Century
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In Conversation with George Legrady
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ivpy Iconographic Visualization Inside Computational Notebooks
3.60-3.79 -
Large-scale Classification of Fine-Art Paintings Learning The Right Metric on The Right Feature
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Linking Structure, Texture and Context in a Visualization of Historical Drawings by Frederick William IV (1795-1861)
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Review of Maria Dondero's 'Language of Images: The Forms and the Forces'
5.14-5.19 -
Social Network Centralization Dynamics in Print Production in the Low Countries, 1550-1750
