Sprache
Witte, Arnold: Titelliste
-
Angela Negro: II giardino dipinto del Cardinal Borghese
55-60 -
Bernard Aikema: Jacopo Bassano and His Public. Moralizing Pictures in an Age of Reform ca. 1535-1600 / Paolo Berdini: The Religious Art of Jacopo Bassano - Painting as Visual Exegesis / Jacopo Bassano
385-395 -
Carla Hendriks: Northern Landscapes on Roman Walls. The Frescoes of Matthijs and Paul Bril/Francesca Cappelletti: Paul Bril e la pittura di paesaggio a Roma 1580-1630/Archivi dello sguardo. Origini e momenti nella pittura di paesaggio in Italia
303-307 -
Carlo Cesare Malvasia: Malvasia's Life of the Carracci. Commentary and Translation
347-349 -
Carolyn Smyth: Correggio's Frescoes in Parma Cathedral
267-273 -
Catherine Loisel: Ludovico, Agostino, Annibale Carracci
265-268 -
Federico Zuccari. Le idee, gli scritti/Der Maler Federico Zuccari. Ein römischer Virtuoso von europäischem Ruhm/Federico Zuccaro. Kunst zwischen Ideal und Reform
228-234 -
Frank Zöllner: Michelangelos Fresken in der Sixtinischen Kapelle
37-38 -
Karin-Edis Barzman: The Florentine Academy and the Early Modem State
144-148 -
La Villa di Vincenzo Giustiniani a Bassano Romano
270-272 -
Louis Marin: Sublime Poussin
368-371 -
Marcia B. Hall: After Raphael
144-149 -
Marcin Fabianski: Correggio. Le mitologie d'amore
337-340 -
Martina Dlugaiczyk: Der Waffenstillstand (1609-1621) als Medienereignis
360-362 -
Michael Thimann: Lügenhafte Bilder: Ovids favole und das Historienbild in der italienischen Renaissance
148-151 -
Nicodemus Tessin the Younger: Sources Works Collections
233-234 -
Nicodemus Tessin the Younger. Royal Architect and Visionary / Nicodemus Tessin the Younger: Sources Works Collections
222-228 -
Nicola Courtright: The Papacy and the Art of Reform in Sixteenth-Century Rome
17-19 -
Raffaella Morselli: Collezioni e quadrerie nella Bologna del Seicento
49-53 -
Sebastian Schütze: Kardinal Maffeo Barberini - später Papst Urban VIII. - und die Entstehung des Römischen Hochbarock
170-174 -
Thomas Rohark: Intarsien. Entwicklung eines Bildmediums in der italienischen Renaissance
54-57
