Sprache
Bd. 3 (2001): Monuments and Sites
The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation
Veröffentlicht:
2015-08-10
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Titel
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Contents
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Preface
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Introduction
10-12 -
The Costume Colours of Qin Terracotta Warriors
13-15 -
Aims and Results of the Chinese-German Project for the Preservation of the Terracotta Army
16-18 -
Review of the Conservation of the Polychromy of the Terracotta Army
19-22 -
New Developments in the Conservation of the Polychromy of the Terracotta Army
23-30 -
Methods in Organic Archaeometry and their Application to the Terracotta Army
31-45 -
New Methods to Characterise and to Consolidate the Polychrome Qi-lacquer of the Terracotta Army
46-51 -
Paint Layers and Pigments on the Terracotta Army: A Comparison with Other Cultures of Antiquity
52-58 -
The Polychromy of the Bronze Chariots from the Mausoleum of Qin Shihuang
59-66 -
Symbolism and Meaning of Colours in Early Chinese Sources
67-72 -
Painting Technique in Ancient China
73-74 -
Colour Schemes on Wooden Guanyin Sculptures of the 11th to 13th Centuries, with Special Reference to the Amsterdam Guanyin and its Cut Gold-foil Application on a Polychrome Ground
75-84 -
Egyptian Polychromy: Pigments of the "Pharaonic Palette"
85-88 -
Le Jupiter olympien and the Rediscovery of Polychromy in Antique Sculpture: Quatremere de Quincy between Empirical Research and Aesthetic Ideals
89-100 -
Polychromy on Greek Sculpture: The Archer on the West-pediment of the Aphaia Temple, Aegina
101-102 -
The Dyeing of Textiles in the Warring States' Time
103-107 -
Techniques to Protect Textile and Embroidery Relics
108-113 -
The Dye Colours and Culture on Clothing in Early Qin
114-125 -
The Five Colours in Polychrome Silks with Cloud Pattern from Han Dynasty to Wei Period
126-128 -
Late Antique and Early Medieval Textiles and Costume and their Representations in Various Media
129-151 -
Qi-Lacquer - Technique and Art
152-153 -
Chemical and Physical Investigations of Egyptian and Chinese Blue and Purple
154-171 -
The Chinese Lacquer Tree and its Use
172-173 -
Coloured Clay Sculptures and their Protection at Mo Kao Grotto at Dunhuang
174-177 -
The Polychrome Works in the Palace Museum and their Preservation
178-180
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Authors / Photo credits
181-183
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