Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław

Ansehen Bd. 66 Nr. 4 (2022): Quart. The Quarterly of the Institute of Art History at the University of Wrocław
DOI: https://doi.org/10.11588/quart.2022.4
Veröffentlicht: 2023-04-26

  • The glow of the metropolis Electricity, architecture, and the senses. Berlin 1924–1933

    Filip Burno
    Zum Artikel
    3-27

  • Made in America for the world Avant-garde responses to jazz

    Jed Rasula
    Zum Artikel
    28-39

  • Swing dance costumes and their dynamics as seen through the prism of the feature films of the Second Polish Republic

    Zofia Załęska
    Zum Artikel
    40-59

  • From utopia to ideology 1920s theatre studios in Ukraine

    Hanna Veselovska
    Zum Artikel
    60-75

  • The centennial of the “Zenit” review (1921–1926–2021) Examples of the avant-garde networking

    Irina Subotić
    Zum Artikel
    76-93

  • Linking the historical and retro-avant-gardes by questioning the periphery-center relationship The case of Trieste, Ljubljana, Zagreb and Belgrade

    Tomaž Toporišič
    Zum Artikel
    94-111

  • The 1st Exhibition of Polish Women Artists in Bydgoszcz On the strategies of visibility on the cultural map of the reborn Second Polish Republic

    Karolina Rosiejka
    Zum Artikel
    112-131

  • The Indiana Murals A study of the work in sociological terms

    Barbara Lewicka
    Zum Artikel
    132-151

  • Football, decathlon and the martial arts The Axis Powers and the visual propaganda of the international mega sporting events: 1934–1940

    Przemysław Strożek
    Zum Artikel
    152-170