Una reggia nel convento: gli appartamenti papali di Santa Maria Novella nel Quattrocento
Authors
-
Gaia Ravalli
Gaia Ravalli is an art historian specializing in late Medieval and early Renaissance art, with a focus on the art and patronage of the Dominican Order, Florentine, and Tuscan painting. She has held postdoctoral positions at the Scuola Normale Superiore in Pisa and is currently based at the University of Florence, where she works on the digital reconstruction and interactive interpretation of sacred spaces. Ravalli has extensively studied the transformations of Santa Maria Novella over time. She has collaborated with several institutions, including the Musei Civici of Pistoia, co-curating the exhibition "Dalla città al museo: la galleria illustre dell'Accademia di Scienze, Lettere e Arti a Pistoia nelle collezioni civiche" (Pistoia, Feb 7 – Jun 2, 2025). She is the author of several scholarly publications, including Il chiostrino dei Morti di Santa Maria Novella (Edifir, 2015) and, with Giacomo Guazzini, Itinerari nel Medioevo pistoiese (Gli Ori, 2022).
At the end of the 14th century, the convent of Santa Maria Novella in Florence was undergoing an economic crisis, but with Leonardo Dati, Master of the Dominican Order between 1414 and 1425, its fortunes took a positive turn. Renewed ties with the Florentine Republic transformed the convent into a prestigious site of hospitality, capable of receiving and accommodating illustrious figures. Its spaces were reshaped, turning Santa Maria Novella into one of the main political and cultural stages of the city, as it served repeatedly as the residence of the papal court in Florence between 1419 and 1515.
Today, only the perimeter walls of the papal apartments remain. Its original splendour, to which major artists such as Lorenzo Ghiberti, Donatello, and Nanni di Banco contributed, is no longer visible today. The palace hosted four popes, emperors, kings, and was the exclusive seat of the Council of Florence. This paper presents little-known documents and an extraordinary unpublished plan from the mid-fifteenth century, which make it possible to reconstruct the creation of the apartments and the transformation of the convent around the Chiostro Grande, thus shedding new light on a grand yet ephemeral moment in the history of Santa Maria Novella and the city as a whole.
Copyright (c) 2026 Gaia Ravalli

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2026 Gaia Ravalli

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.


