"L'Aquila, magnifica citade": Fashioning a Center of Franciscan Observance in the Abruzzo Region
Authors
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Pavla Langer
Pavla Langer studied Art History in Bonn and Rome. She gained professional experience as an assistant curator at the Museum der bildenden Künste Leipzig, as well as a graduate assistant and predoctoral fellow at the Kunsthistorisches Institut in Florenz – Max Planck Institute. She was also a predoctoral fellow of the Gerda Henkel Stiftung and obtained her doctoral degree from the University of Bonn with a thesis on the mausoleum of San Bernardino da Siena. In addition, Pavla holds a Master's degree in Library and Information Science from Humboldt-Universität zu Berlin. She currently works as a scientific librarian at the Bibliotheca Hertziana – Max Planck Institute for Art History in Rome. Her primary research interests include devotional art, the cult of saints, and sepulchral sculpture in Italy from the Middle Ages to the Early Modern period.
As one of the crucial protagonists of the Franciscan reform movement and the first Observant friar to be canonised, Bernardino of Siena was an ideal figurehead to promote this Franciscan branch's legitimacy. His sudden death in 1444 brought the central Italian city of L'Aquila – the second most important center in the Kingdom of Naples – into the possession of his remains. This article sheds light on the Franciscan Observants' contribution to the pietas civica of L'Aquila with Bernardino and his cult as its focal point during the second half of the fifteenth and the beginning of the sixteenth century. The promotion and planning of the burial church and convent of San Bernardino as well as the construction of a lavish tomb monument for the saint are examples for the integration of mendicant convents into the religious topography of a city. We shall present some instances of the Observants' participation in discourses on civic values related to the studia humanitatis. For example, the concept of magnificenza was introduced to foster the building project of San Bernardino, a complex that became pivotal for L'Aquila's civic cultural identity as well as for the brethren's attempt to fashion the city into a second centre of Franciscanism alongside Assisi.
Copyright (c) 2026 Pavla Langer

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2026 Pavla Langer

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.


