Rubrik: Reviews - Rezensionen
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Aaron M. Hyman, Rubens in Repeat. The Logic of the Copy in Colonial Latin America
555–559 -
Alessandra Russo, A New Antiquity. Art and Humanity as Universal, 1400–1600
257–264 -
Alessia Frassani (ed.), Visual Culture and Indigenous Agency in the Early Americas
557–562 -
Alexandra Moschovi, A Gust of Photo-Philia. Photography in the Art Museum and Andy Grundberg, How Photography Became Contemporary Art. Inside an Artistic Revolution from Pop to the Digital Age
929–934 -
Alison Terndrup, Image of the Modern Ottoman Sultan. Visibility, Identity, and Modernity in the Nineteenth Century
131–135 -
All Things Foreign, All Things Strange Review of the exhibition “Die Erfindung des Fremden in der Kunst”
135–148 -
Andrew Finegold, Vital Voids. Cavities and Holes in Mesoamerican Material Culture
715–719 -
Andrew James Hamilton, The Royal Inca Tunic. A Biography of an Andean Masterpiece
479–482 -
Barbara Clausen, Babette Mangolte. Performance zwischen Aktion und Betrachtung
1065–1072 -
Benjamin Anderson, Cosmos and Community in Early Medieval Art
471-476 -
Brianne Cohen, Don’t Look Away. Art, Nonviolence, and Preventive Publics in Contemporary Europe
261–268 -
Bridget Alsdorf, Gawkers. Art and Audience in Late Nineteenth-Century France
157–162 -
Brigitte Buettner and William J. Diebold (eds.), Medieval Art, Modern Politics, and Philippe Cordez (ed.), Art médiéval et médiévalisme
579–587 -
Brigitte Buettner, The Mineral and the Visual. Precious Stones in Medieval Secular Culture
785–790 -
Burcu Dogramaci and Marta Smolińska, Grenze/Granica. Art on the German-Polish Border after 1990
167–172 -
Bye-Bye Benin Bronzes? On Provenance as Process and Restitution as Display in German Museums 2021 – Present
1005–1026 -
Chiara Franceschini (ed.), Sacred Images and Normativity. Contested Forms in Early Modern Art
147–156 -
Child’s Play Review of the exhibition “Schatzfunde – versteckt, verschollen, entdeckt”, Historisches Museum Basel, October 16, 2025 – June 28, 2026
97–114 -
Christiane Hertel, Siting China in Germany. Eighteenth-Century Chinoiserie and Its Modern Legacy
201–208 -
Christiane L. Joost-Gaugier, Islamic Elements in the Architecture of Puglia
279-288 -
Christina Bradstreet, Scented Visions. Smell in Art, 1850–1914
343–347 -
Christopher S. Wood, A History of Art History
227-232 -
Claire Bishop, Disordered Attention. How We Look at Art and Performance Today
173–177 -
Cynthia Hahn and Avinoam Shalem (eds.), Seeking Transparency. Rock Crystals Across the Medieval Mediterranean
165–169 -
Dagmar H. Eichberger (Hg.), A Spectacle for a Spanish Princess. The Festive Entry of Joanna of Castile into Brussels (1496)
415–419
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